…You’re the magic that holds the sky up, from the ground…
Collaborative abstraction with Marissa Katarina Bergman
© 2011 Dan Smith. All rights reserved.
…You’re the magic that holds the sky up, from the ground…
Collaborative abstraction with Marissa Katarina Bergman
© 2011 Dan Smith. All rights reserved.
One of the things that’s always compelled me about the nude is the idea of the body as landscape, or, in this case, dunescape.
I was thrilled to be able to find a set-up that let me dial in a minimal DoF. It’s not quite the f/1.2 that I was really hoping for, but it’s close-enough for government work.
Front to back: Bunny, Kitty and Wendy
© 2011 Dan Smith. All rights reserved.
Marissa Katarina Bergman‘s art often features themes of stardust and infinity. Just by happenstance, I mentioned that I live off of Infinity Road, just north of Durham’s West Point on the Eno, where she’ll likely be painting faces on July 4th weekend. To prove it, I sent her a Google Maps link to my home; much to my surprise, she replied with a screenshot, showing that the intersection immediately Continue reading
Marissa Katarina Bergmann
I’m practically giddy that I’m meeting with Marissa Katarina Bergmann, tomorrow, to discuss her interest in collaborating on the TwinLens project. Bunny’s excited, too. At the very least, we’ll be combining our art and she’s hinted at possibly posing for me. Continue reading
© 2011 Dan Smith. All rights reserved.
The above is the result of a body paint collaboration with a very-talented artist, Jon Son, and one of my favorite models and good friend, Kristen. The shoot went super-late (on a school night, no less), but it was worth the exhaustion. More to come… Continue reading
© 2011 Dan Smith. All rights reserved.
I’d love to integrate my Flickr photostream into the site, but given that most of the content is either rated “moderate” or “restricted,” it appears that Flickr won’t let them out of their cages, even if I have the private passkey.
Anyone out there know of a solution?… Continue reading
© 2011 Dan Smith. All rights reserved.
Through Kristen, I recently had the pleasure of working with Bunny Lynch, a remarkable photographer, who has created a name for herself in the Charlotte area, especially with her double-exposures. Two of her pieces, #1132 #1133 are featured in the Rochester Contemporary Art Center’s 2011 6×6 gallery.
Photo: Composite exposure via Photoshop CS5… Continue reading
© 2011 Dan Smith. All rights reserved.
I’m alive. I’ve just been busy. Shooting. Collaborating. Editing. Living. Some updates have been posted to the portfolio. More are coming soon. In the meantime, enjoy some nostalgia.
Photo: Nature and the Scientist (take II) 1997. Kodak TMY400. Pentax K1000. Sculpture of a life-size camel and Professor Knut Schmidt-Nielsen by Jonathan Kingdon… Continue reading
© 2011 Dan Smith. All rights reserved.
The image above was created with $20 $40 worth of mixing bowl, pizza pan, machine screws (plus a flash bracket from an inexpensive $20 softbox) and spray paint, all sourced from Amazon and Home Depot. Building my own Chinatown beauty dish, following the instructions provided by Todd Owyoung, probably saved me between $90 and $250.
The only realy fault I can find with the… Continue reading
© 2011 Dan Smith. All rights reserved.
Schilling by Mando Gomez via flickr & Mandolux.com
Nearly 12 years ago, Toys “R” Us launched a national media campaign to promote their new website. The campaign worked and their traffic increased 100-fold almost overnight. Unfortunately for them, their IT staff hadn’t considered the possibility of such a large increase in traffic and the servers collapsed under the traffic load, rendering their new website practically inaccessible for more than three days. By the end of the year, TRU… Continue reading
© 2011 Dan Smith. All rights reserved.
I just wanted to share this bodyscape from this weekend’s shoot with Angela. I’ll be updating my nude portfolio soon. For now, there’s a sampling on my Flickr photostream and my ModelMayhem portfolio.
This was lit with a single Lowel Tota. Converted to black & white in Aperture 3.1.3, with a contrast adjustment of +1. (Which is exactly how I’d print it on an enlarger.)… Continue reading